Midi monitor ipad mackie update#
Midi monitor ipad mackie manual#
Midi monitor ipad mackie full#

That might sound gimmicky but it could be incredibly useful. Channels can be named and have an image associated with them – this extends to taking pictures with the iPad camera. The app can store presets and there are some supplied that can be loaded into any channel you can also store your own. Overall, though, the transition is seamless. The app works wirelessly as well as when connected and there’s a brief sync of data that occurs when you disconnect the iPad from the desk.

Metering is fast and there’s mute and solo on each channel as well as a master fader that can be flipped to control the six aux outs as well as the reverb/delay channels. The app itself is well-designed and uncluttered and the faders responded very accurately and smoothly on our second-generation iPad. The desk can be secured with a Kensington lock and the iPad can be secured in the desk if you choose, both of which are good for busy gig environments.

Midi monitor ipad mackie full#

Once that’s completed and the iPad and desk are connected we had full control of the mixer.

Midi monitor ipad mackie update#

You then dock the iPad with the mixer and it may perform a firmware update it did this automatically on our model and the update was seamlessly performed in-app. Setup is really very easy and begins with downloading the Mackie Master Fader app from the App Store (any iPad model) and connecting the mixer to the router.

Midi monitor ipad mackie manual#

Sixteen physical knobs are provided for manual level control, though presumably these are mainly as fallback on occasions when there’s an issue with the wireless or the iPad.Īn Ethernet port is provided which must be used to connect the mixer to a wireless router if you intend to use the iPad as a wireless as well as a docked controller. These are 12 regular XLR plus four combo inputs and there are, of course, stereo XLR master outs, six aux send jack outputs and a headphone out with its own gain control. Around the back you get 16 inputs powered by Onyx mic preamps and with high-end Cirrus Logic converters. The hardware itself is relatively minimal, though very sturdy and nicely put together. It’s an intriguing concept, and many touring engineers do have iPads for those long plane journeys and hours spent on tour buses. It does this by placing pretty much all the controls inside an iPad app (free to download) and enabling this to work either when docked with the mixer or wirelessly.

This mixer aims to free the engineer from standing behind the desk – at least for some of the time. Live sound engineers do spend a lot of time running back and forth from the desk, changing levels and checking settings. So it’s a bold step forward, but how does it perform?įirst: a look at the idea behind the DL1608. And when the company says iPad controlled, it means it: there are no physical faders. Mackie is a big-hitter in the live sound world so it’s perhaps not surprising that it is among the first to take this fusion of technologies to the next level with the DL1608, an iPad-controlled digital mixer.